断片作品，将客观物象选择、提炼，重新组合，从局部思考开始，缝合整体，历史痕迹的分层展现，多种元素的并置，都让断片作品成为细节可以触摸和观察的个性化建筑样式。
Fragmentary Work，the objective images are selected, refined and recombined by it, start by thinking in parts, stitching up the whole of it，the layered presentation of historical traces，the juxtaposition of various elements，all of them makes Fragmentary Work become a personalized architectural style where details can be touched and observed.
▲卡诺瓦陈列馆扩建，帕桑罗 （1955–1957 ）卡洛·斯卡帕
▲布里昂家族墓园，圣维托（1969–1978）卡洛·斯卡帕
如果你们允许，我认为这个作品非常好，而且随着时间的流逝，他会变得更好，我尝试着在其中加入了一些诗意的想象，并不是要创造出诗意的作品，但却是要设计可以散发出诗意的作品，一种具有诗意的表达形式。——《建筑可以是诗吗？》1976年 维也纳演讲 / 卡洛·斯卡帕
I consider this work，if you permit me，to be rather good and which will even get better over time. I have tried to put some poetic imagination into it，though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry. I mean an expressed form that can become poetry.《Can Architecture Be Poetry？》The lecture hold by Carlo Scarpa in vienna ,1976
本案是为意大利“托斯卡纳”遮阳系统打造的上海办公室及展厅，空间沉迷于对断片形式的无尽探索，表达作品的断片化、不具实体感和富有诗意。
This work is the office and exhibition hall for "Tuscana" sun shading system form Italy in Shanghai, Space is obsessed with an endless exploration of fragmentary forms, and expresses fragmentary、insubstantiality and poetry of the work.
时间
Time
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时间是将个体体验容纳进作品设计的非显性又无处不在的要素，时间是分解和重构空间的工具。时间常常与生命相连，生命是时间性的，连续性的，当我们想要知道有关时间的一切时，便是我们对于生命的体验。
Time is a non-explicit and ubiquitous element that integrates individual experience into work, and time is a tool to decompose and reconstruct space. Time is often connected with life. Life is temporal and continuous. When we want to know everything about time, it is our experience of life.
在空间中表达时间，以一种无时间的永恒，让“当下”凸显；材质的永恒性，渗透在空间中。眼前一瞬包含了过去、当下和未来，探索经得起时间考验的本质与诗意。
Express time in space, make "present" stand out in a timeless way; The permanence of the material permeates the space. The moment contains the past, present and future, and exploring the essence and poetry of time.
空间的交流
Space Communication
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在这个空间，我们希望通过空间的片段式呈现，对于细部的呈现，让人与空间产生交流。当观众注视其中，人与空间便展开了一扇窗户，在这扇窗户中，唤起情感反应的断片纷呈迭现：台阶的起伏错落，层台穿插的几何形体，变幻莫测的光影，材料的美感……
In this space, we hope to make people communicate with space through the fragmented presentation of space and the presentation of details. When the audience watches it, it opens a window between people and space. In this window, the fragments that evoke emotion appear repeatedly: the undulating steps, the layered and interspersed geometric form, the uncertain shadow, the beauty of materials...
断片的纷呈迭现
The Presentation Of Fragments
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从作品的深层文化体系中发掘作品象征意义的空间表达方式，在对空间进行断片化和节点化后，层层推敲，通过精细的断片化解空间的实体感，最后纳入空间总体意象中，将节点的装饰融入到空间中，细腻真实地表现出来，让人感受结构之美、材料之美和工艺之美。
The expression of space that explore the symbolic meaning of the work from its deep cultural system, after fragmenting and nodal the space, layer upon layer, through careful fragment dissolve the real feeling of the space, and finally into the space's overall image, put the adornment of the nodes into space, show it delicately and truly, let people feel the beauty of the structure, material and process.
诗意的断片空间与理性联系在一起，以光为媒介，将节点和断片纳入整体。
Poetic fragmentary space is connected with rationality, with light as the medium, bringing nodes and fragmentary into the whole.
多重立体的方式营造会议室入口，用分层的方式设计楼梯，木结构再以抽象的方式延续出楼梯的造型，片段如电影般延续，又缝合出整体。
The entrance of the meeting room is created in a multi-dimensional way, the staircase is designed in a layered way, and the wooden structure continues the shape of the staircase in an abstract way. These fragments continue like a movie, but also piece the whole.
剪裁“天光”
Clipping "Sunlight"
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空间只有西北面有采光，整个东面缺乏采光，尤其是办公区，包括会议室。
Only the northwest side of the space has daylighting , and the entire east side lacks light, especially in the office area, including the meeting room.
基于自然光线的崇拜，如果可能的话，希望剪裁出一片天光，让光线流淌至这些区域。
Based on the adoration of natural light, if possible, we want to cut out a sunlight and let the light flow into these areas.
路易斯·康（Louis kahn）曾以诗歌吟诵斯卡帕断片作品的诗意再现所带来的心理感受：‘美’是第一感受，‘艺术’是第一评论，而后惊叹，“形式”的意涵，设计师从自然，赋以各元素气质。”
Louis Kahn once express the psychological feeling brought by the poetic representation of scarpa's fragmentary work in poetry:“ 'Beauty' the first sense， 'Art' the first Word， Then wonder， The inner realization of 'form' ，Design consults Nature to give presence to the elements.”
细部
The details
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细部刻画铺满空间，所有断片被赋予实在的、独立的形式，成为持久的元素、多重时序的涌现和对时间流逝的追忆、对美的喜悦之情。
Detail description covers the space, all fragments are endowed with real and independent forms, and becoming persistent elements、the emergence of multiple sequences、the memory of time passing and the joy of beauty.
我们将斯卡帕多级层叠的元素、对光的巧妙运用、分离、咬合等语汇，运用在空间的设计中。展现材料在空间的延续不断，在流动、变化、稍纵即逝。
We use layered elements, and use of light subtly, vocabulary of separation, occlusion from scarpa into the design of the space. Show the continuity of material. It is flowing, changing, fleeting.
当断片从疏落转向密集，断片的纷呈便赋予作品一种超越于所有精致细部之上的魅力，而作品风格也就从模糊转向清晰，化微小和脆弱为力量，而诗意则成为断片纷呈中最神秘独特的品质。
When the fragments turn from sparse to dense, the presentation of fragments gives the work a charm that surpasses all the details, and the style of the work turns from vague to clear, turning tiny and fragile into power, while poetry becomes the most mysterious and unique quality in the presentation of fragments.
项目信息
Information
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项目名称：TOSCANA上海办公展厅
Project Name：TOSCANA Shanghai Office Showroom
项目地点：上海
Project Location：Shanghai
室内设计：NBD环艺工作室
Interior Design：NBD STUDIO
公司合伙人：谭晫/蔡静霞
Corporate Partner：Thomas Tan/Crystal Tsai
参与设计：孙玉超
Involved in the design：SUN YU CHAO
艺术家具设计：上海利缔亚LIDeA家居
Art Furniture Design：Shanghai LIDeA
项目面积：189㎡
Project Area：189㎡
定案设计：2021年6月
Design Date：June 2021
竣工时间：2021年9月
Completion Date：September 2021
项目摄影：张家宁（瀚墨视觉）
Photography：ZHANG JIA NING
文案：子溪（回响之外）
Copy writer：ZI XI
内容策划 / Presented
✚
策划 Producer ：W.Yinji
排版 Editor：Xran 校对 Proof：Lu JY
图片版权 Copyright ：NBD环艺工作室
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